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An Asian cross-cultural trilogy of horror films from accomplished indie directors.<\/p>\nAn Asian cross-cultural trilogy of horror films from accomplished indie directors.<\/p>\n
Three Asian directors, from Hong Kong, Korea, and Japan, join forces to create an omnibus horror film, Three…Extremes. In Fruit Chan’s “Dumplings,” shot by Christopher Doyle, Mrs. Li (Miriam Yeung<\/a>), a thirtysomething former actress with a philandering husband (Tony Leung<\/a>) goes to visit Aunt Mei (Bai Ling<\/a>), who sells the most expensive dumplings in Hong Kong. Mrs. Li knows about their rejuvenating powers, and she also knows about their unpleasant main ingredient, but after some initial nausea, she digs right in. In Oldboy<\/a> writer\/director Park Chan-wook<\/a>‘s “Cut,” a successful filmmaker (Lee Byung-hun<\/a> of Joint Security Area<\/a>) arrives home to find that a disgruntled extra (Lim Won-hee) has taken over his home, and fastened his pianist wife (Kang Hye-jun<\/a> of Oldboy) to the grand piano. The madman threatens to cut off the wife’s fingers, one by one, unless the director strangles the helpless child he’s tied to the couch. Takashi Miike<\/a> directs the last segment, “Box,” about a young author and former circus performer, Kyoko (Kyoko Hasegawa<\/a>), seemingly haunted by the ghost of her twin sister, who died a mysterious and horrible death while practicing their act. Adding to Kyoko’s trauma, her editor (Atsuro Watabe) is a dead ringer for her old stepfather\/ringmaster, who may have perished in the same “accident” that took her sister’s life.<\/p>\n Lisatud 07.12.2009, 734 941 184b, TLF, AKA Three… Extremes, Dumplings<\/p>\n","protected":false},"excerpt":{"rendered":" An Asian cross-cultural trilogy of horror films from accomplished indie directors. Three Asian directors, from Hong Kong, Korea, and Japan, join forces to create an omnibus horror film, Three…Extremes. In Fruit Chan’s “Dumplings,” shot by Christopher Doyle, Mrs. Li (Miriam…<\/span><\/p>\n